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- <text id=91TT1096>
- <title>
- May 20, 1991: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- May 20, 1991 Five Who Could Be Vice President
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 12
- </hdr><body>
- <p> THEATER
- </p>
- <p> OUR COUNTRY'S GOOD. Does art enoble the lowest wretch? Are
- convicts and their captors kindred spirits under the skin?
- Playwright Timberlake Wertenbaker says so in this didactic,
- sporadically touching Broadway drama, staged without subtlety
- in a transfer from the Hartford Stage Company.
- </p>
- <p> THE WILL ROGERS FOLLIES. Tommy Tune's staging and
- choreography capture the splash-and-dazzle Ziegfeld
- extravaganzas of the teens and '20s, and Keith Carradine
- engagingly replicates the rope-twirling humorist who starred in
- them. But Will Rogers, the biggest multimedia star of his time,
- proves of little interest today, and every enduring thing he
- ever said has long since has been quoted to tedium.
- </p>
- <p> ANOTHER TIME. Albert Finney revives his London triumph in
- Ronald Harwood's drama about a South African pianist as
- Chicago's Steppenwolf troupe opens a sumptuous new $8 million
- theater. But the company members, most of them much younger than
- Finney, are at a loss playing relatives a generation older.
- </p>
- <p> BOOKS
- </p>
- <p> THE SOCCER WAR by Ryszard Kapuscinski (Knopf; $21). Back
- when Hunter S. Thompson still needed a road map to find Las
- Vegas, this Polish journalist was taking absurd, gonzo risks in
- the Third World. This is a breezy compilation of anecdotes
- recalled from the years he spent covering Africa and Latin
- America. Kapuscinski displays a keen empathy with the
- aspirations, however inchoate, of people who have glimpsed
- freedom for the first time.
- </p>
- <p> MOVIES
- </p>
- <p> TRUTH OR DARE. Madonna, stern mistress of her own evolving
- image, invites the camera along on her Blond Ambition concert
- tour. This rude documentary, long but lots of fun, features star
- cameos by Warren Beatty, Kevin Costner and Sandra Bernhard.
- </p>
- <p> LA FEMME NIKITA. Sleek spy stuff in this melodrama about
- a killer (Anne Parillaud) recruited by French intelligence.
- Director Luc Besson serves a handsome mix of violent action and
- sulky introspection. Look for a Hollywood remake, minus the
- navel gazing.
- </p>
- <p> CITIZEN KANE. Orson Welles' masterpiece, a detective
- thriller about a missing sled, is 50 years old and back in movie
- theaters, its freshness, wit, breadth and daring intact. What
- Cecilia Ager said on its release still applies: "It's as if
- you'd never seen a movie before."
- </p>
- <p> TELEVISION
- </p>
- <p> KURT VONNEGUT'S MONKEY HOUSE (Showtime, May 15 and 20).
- Three adaptations of short stories by the sci-fi fabulist.
- Hardly first-rate Vonnegut (more like second-rate Rod Serling),
- but more fun than most anything else on TV this month.
- </p>
- <p> O PIONEERS! (PBS, May 17, 9 p.m. on most stations).
- American Playhouse brings to TV a stage-musical version of Willa
- Cather's novel about Swedish immigrants on the Nebraska
- frontier, starring Mary McDonnell (Dances with Wolves).
- </p>
- <p> OUR SONS (ABC, May 19, 9 p.m. EDT) Julie Andrews and
- Ann-Margret play two women who cope very differently with
- homosexual sons and the tragedy of AIDS, in one of the first TV
- movies since An Early Frost to tackle the subject head on.
- </p>
- <p> MUSIC
- </p>
- <p> MICHAEL BOLTON: TIME, LOVE & TENDERNESS (Columbia). In an
- age of drum machines and synthesizers, Bolton relies on his
- remarkable voice to pack more soul into a love song than anyone
- else in grove plays with the confidence and maturity of jazzmen
- twice his age. With his sharp attack and liquid tone, he brings
- both fire and lyricism to a repertoire that is always anchored
- in melody. Alto saxman Antonio Hart adds a riveting
- counterpoint to this tight, driving quintet.
- </p>
- <p> MAHLER: SYMPHONY NO. 7 & KINDERTOTENLIEDER (Philips).
- Seiji Ozawa leads the BostonSymphony Orchestra in a performance
- of extraordinary transparency, penetrated by the miraculous
- colors and moods of this vast, emotionally charged work. Jessye
- Norman's soprano is more enveloping than probing in the achingly
- beautiful Songs on the Deaths of Children.
- </p>
- <p> ART
- </p>
- <p> CATHERINE THE GREAT: TREASURES OF IMPERIAL RUSSIA: Memphis
- Cook Convention Center, Memphis. Almost 300 items from the era
- of the 18th century Czarina, including court costumes, an
- embroidered war tent, bejeweled snuff boxes, saintly icons and
- a newly restored gilded coronation carriage. Through Sept. 8.
- </p>
- <p> EXPLORATIONS II: THE NEW FURNITURE: American Craft Museum,
- New York City. Sixty fanciful and inventive works by 11
- contemporary American artists. Through Aug. 4.
- </p>
- <p> ETCETERA
- </p>
- <p> JELLY ROLL MORTON AND HIS RED HOT PEPPERS. Headed by Terry
- Waldo, a 7-piece stage band joyfully recreates the music of this
- legendary New Orleans pianist, composer, hustler and pool shark
- who dubiously claimed to have "invented" jazz and undoubtedly
- put his mark on the
- </p>
- <p> "GORGEOUS!"
- </p>
- <p> GOULD CONDUCTS WAGNER (Sony Classical). Shortly before his
- death in 1982, the legendary pianist Glenn Gould decided to
- experiment with the idea of becoming a conductor. Since he had
- abdicated the concert stage 18 years earlier, he quietly rented
- a hall and hired some members of the Toronto Symphony. Though
- most famous for his electric keyboard interpretations of Bach,
- Gould chose for his orchestral debut Wagner's Siegfried Idyll,
- which he took at a glacially languorous tempo. When it was over,
- he blurted onto the tape an accurate verdict: "Gorgeous!
- Magnificent! Heartbreaking!" Along with that performance, the
- newly released album contains Gould's superb piano
- transcriptions of the Idyll, Siegfried's Rhine Journey and the
- prelude to Die Meistersinger. After nearly a decade of legal
- negotiations, it marks the beginning of a 30-disk series of
- Gould recordings, which will include such previously unreleased
- radio performances as Chopin's Sonata in B Minor
- </p>
- <p>BY TIME'S REVIEWERS/Compiled by Andrea Sachs.
- </p>
-
- </body></article>
- </text>
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